Both are "tight" sections...that is, stuff is *constantly* happening, no breaks. Figuring out exactly where to shift POV, so the reader can follow most easily, is tricky.
After that, POV-D settles down for awhile (stuff is happening but it's not all plot-critical in the larger scheme of things) and then POV-K settles down, and about that time POV -A heats up again, with enough day-to-day space to interpolate K when K heats up and D when D heats up. There will be another tight-squeeze problem around Midsummer, and then it's back to alternating A and K (not even alternations, really) and then A and D, and then mostly K to the end.